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• Romeo & MOOliet, Al Pacino, and Victor Hugo's skull poetry

• Psycho ninjas, Salt-N-Pepa, and lotto-winning ex-monks

• Keaton's Dogberry "is funny," "A Piece of Work," and saving Hall's Croft's walls

• Timothy West, Antiques Roadshow, and Even More AI

• History Plays, Hot Ones, and the Heat Death of the Universe

• Richard III's Voice, the Federal Theatre Project, & Breakdancing Shakespeare

• The Princes in the Tower, Grand Theft Hamlet, and Star Wars Macbeth

Shakespeare’s play unfolds over five hot summer days – Romeo and Juliet meet on Sunday night and are dead by Thursday morning – while Brooke’s poem unfolds over nine months and the lovers meet at a Christmas party…Brooke expands the story in places where Shakespeare stays silent, telling us what happens to the Nurse and Friar after the lovers’ deaths (she is banished and he becomes a hermit), and Shakespeare develops characters that Brooke only mentions in passing. Benvolio does not appear at all in Brooke’s poem and Mercutio appears only once as a party guest with very cold hands.

Alexander Dumas moved to Paris in his 20s and quickly became a successful writer with the support of his late father’s friends. He wrote over 250 books in his lifetime and serialized many of his novels including The Three Musketeers in magazines, writing in an exciting and dynamic style…Dumas’ prolific output was made possible by his collaborators who researched and wrote drafts for him to polish. Author Auguste Maquet wrote the first draft of The Three Musketeers, completed in 1844, as well as another of Dumas’ best known works, The Count of Monte Cristo, published the following year.

Odysseus addresses the men as “friends,” “companions,” and “servants.” They are both sympathizers and servers, keeping Odysseus company on his journey while doing the physical labor to make it possible. Never once in all his desperate desire to return home does Odysseus ever actually touch an oar. He is willing to face many dangers – monsters, whirlpools, and witches – but not rowing. Ultimately it is Odysseus’ men, his “friends,” who suffer the most on his journey home. One by one they are bewitched, eaten, and drowned. Not one of them survives and when Odysseus finally arrives home, he arrives alone.

Henry VI, Part II – Saye Anything

Jack Cade, the leader of the rebellion, accuses Saye of such abominable crimes as printing, teaching grammar to children, and dressing his horse in excessively fancy horse-clothes. Saye is definitely not guilty of the first indictment, as this scene takes place in 1450 and the first books in England weren’t printed until at least twenty-five years later.

Henry VI, Part II – Saye What?

Broughton Castle [was] originally built in the 14th century and passed down in the Fiennes family since 1457 when the son of Shakespeare’s Lord Saye, William Fiennes, the 2nd Lord Saye and Sele, succeeded in right of his wife to it. 

In addition to being the Fiennes family home, Broughton Castle is often used as a filming location and was the home of Gwyneth Paltrow’s character Viola de Lesseps in Shakespeare in Love.

Macbeth – Saints Have Heads

Multiple Scottish Queens used Saint Margaret’s shirt as a talisman during childbirth but only one used the Saint herself. When Mary Queen of Scots was in labor in June of 1566 she asked for the Saint’s entire head to be brought to the birthing chamber in Edinburgh Castle. Laboring under the desiccated eye of her 450-year-old predecessor was apparently a comfort…

Henry V – Perilous Arrow’s Motion

Henry apologizes for the way his face looks (not often necessary onstage) and blames his appearance on his father’s war-like distraction when he was conceived. However there is a much more straightforward explanation…twelve years earlier, he was hit in the face with an arrow.

The history of English royals surviving arrow-wounds up to this point was not great…Shakespeare depicts Henry and Hotspur gloriously fighting to the death, when in reality Hotspur was killed by an arrow to the face.

Writer and Editor, Folger production blog

• An Eye for an Eye, an Edward for an Edward (Richard III)

• Interview with Stephan Wolfert (Cry "Havoc!")

• The Year of Lear: Shakespeare in 1606 Preview

• Oswald and Armitage: Adapting Classics

• Words, Familiar in Their Mouths

Measure + Dido, based on Beauty the Best Advocate (1699)

This musick is no cure for my distemper. For every note, to my enchanted ears, seem'd to sing only Isabella's beauty…

The Roman de Fauvel: Love and Counterpoint in Medieval France

Now ‘tis time the mystery to all of you must be exposed. Our story has a twist where he – Fauvel – is but a horse supposed. An equine anagram, a sham. Never mind, I’ll diagram –

Music and Satire: From the Writings of Rabelais

The good people, where are they? They’re so scarce nowadays and hard to see. Wait, I'll put my glasses on. There you are! Oh. You’re drinking.

Academic

This Goodly Frame: The Collaborative Theatre of Good Tickle Brain

Mya Lixian Gosling, Kate Pitt, and Annalisa Castaldo

Good Tickle Brain comics are not theater; however, they are theatrical. The comic panel, like a proscenium stage, is a space in which words join with art in order to present a complete scene within a frame. As transformers of plays into comic form, the creators constantly make choices about how to “perform” Shakespeare on the page. What should the characters wear? How should they move? What are they feeling? What should they say?

As far as I was aware, "dramaturgy for comics" was a non-existent field. Fortunately, performance dramaturg Kate Pitt was willing to create it by collaborating with me as I began my adaptation of Hamlet. Our resulting partnership resulted in numerous discussions, debates, and revisions that shaped my interpretation of the play.

M. Butterfly

Così fan tutte

David Henry Hwang’s play M. Butterfly has metamorphosed several times …[it’s] opalescence is like that of the creature itself: constantly revealing new facets as it shifts form and perspective.

While writing Così, an opera that generalizes about the flirtatious behavior of all women (the title can be roughly translated as “Thus do all women”) Mozart may have had one particular woman in mind.

The Merry Widow

The Barber of Seville

A producer offered free 'Merry Widow' hats…to every female audience member. 13,000 women showed up at the theater to claim 1,000 hats, and one patron “tackled the woman next to her with a vim that would have done credit to the world's champion female wrestler…”

When Barber finally premiered on February 23, 1775, audiences hated it. According to one of Beaumarchais’ friends, the public was exhausted by the play’s “superabundance of wit.” According to Beaumarchais, newspaper publishers were out to get him.

Ellen West

La Fille du Régiment

Pericles

Ellen cares for her disease in a way she is unable to care for herself. She nurtures her hunger, preserving and guarding it against those who would seek to sate it…Ellen believes that her true self is thin, and that by keeping her belly empty, she may will her self full. She is her own whetstone and wears herself away – body, heart, and soul.

Donizetti’s librettists for La Fille du Régiment – Jules-Henri Vernoy and Jean-François Bayard – …possessed sufficiently Gallic credentials to help the Italian composer win over notoriously difficult French audiences. Vernoy was particularly well-placed for this task: he was the manager of the Opéra-Comique theater in Paris where Fille was first performed.

Despite his best efforts, Pericles cannot always keep those closest to him safe or solve the great evils of his world. He and his family must fight against the forces of nature, humans, gods, and yes, pirates, in order to come home safe at last. All he can do – all we can do – is strive to answer the question “What world is this?” and act accordingly.